Olympia's Maiden (Detail)
Olympia's Maiden (Detail)

performance

2016

A multi-media series on the neglect and invisibility of Black women in America. Displayed is the Upper West Side of Manhattan, one of several performances in the NYC area. A masked Black woman exposes herself entirely but remains anonymous. She gazes back at you in an act of defiance towards the neglect she faces daily.

Olympia's Maiden (Detail)
Olympia's Maiden (Detail)

7m x 66cm Scroll, inkjet on paper

2016

A multi-media series on the neglect and invisibility of Black women in America. Displayed is a detail of 100 years ofVogue magazine covers from their initial release in 1916 to 2016. One cover per month for 100 years, with 14 covers featuring a model of color.

Angry Art (trademarked by Adrian Piper)
Angry Art (trademarked by Adrian Piper)

performance/postcard

2017

These postcards were distributed to Brooklyn implants in areas of devastating gentrification and subway cars that traveled through them. A Brooklyn native can tell one from the rest.

The Genital Nubs
The Genital Nubs

125 x 15 x 10cm soy wax, string

2018

The malleable characteristics of wax assist the concept of sexual fluidity, apparent in forms of banded erectile tissue, while strings suspend them as mobile individuals. Exploring the differences and sameness in sexual organs and by extension sexuality and gender/preferences.

The Genital Nubs
The Genital Nubs

125 x 15 x 10cm soy wax, string

2018

Vanity Surveillance Project (detail)
Vanity Surveillance Project (detail)

black glass, surveillance camera, television

2018

As one walks through the gallery space, they would catch their own reflection in the dark glass. This is a commentary on the superficiality of the art world. We tend to look at our own reflection in museum glass and glazed works instead of the work itself. In this case, you are the work - and on the other side of the wall, another viewer watches a T.V. screen showing you watching yourself in the black glass.

Vanity Surveillance Project (detail)
Vanity Surveillance Project (detail)

black glass, surveillance camera, television

2018

Vanity Surveillance Project (detail)
Vanity Surveillance Project (detail)

black glass, surveillance camera, television

2018

Vanity Surveillance Project (detail)
Vanity Surveillance Project (detail)

black glass, surveillance camera, television

2018

Withdrawal
Withdrawal

soy wax

26 x 23 x 9cm

2018

Our cell phones have become a part of our bodies. When it isn’t in its designated pocket or our hands, it feels like a void within us. The dependency humans are facing with technology and constant communication is an addiction we should all be aware of. How is this affecting our memory, intelligence, relationships?

Olympia's Maiden (Detail)
Olympia's Maiden (Detail)
Angry Art (trademarked by Adrian Piper)
The Genital Nubs
The Genital Nubs
Vanity Surveillance Project (detail)
Vanity Surveillance Project (detail)
Vanity Surveillance Project (detail)
Vanity Surveillance Project (detail)
Withdrawal
Olympia's Maiden (Detail)

performance

2016

A multi-media series on the neglect and invisibility of Black women in America. Displayed is the Upper West Side of Manhattan, one of several performances in the NYC area. A masked Black woman exposes herself entirely but remains anonymous. She gazes back at you in an act of defiance towards the neglect she faces daily.

Olympia's Maiden (Detail)

7m x 66cm Scroll, inkjet on paper

2016

A multi-media series on the neglect and invisibility of Black women in America. Displayed is a detail of 100 years ofVogue magazine covers from their initial release in 1916 to 2016. One cover per month for 100 years, with 14 covers featuring a model of color.

Angry Art (trademarked by Adrian Piper)

performance/postcard

2017

These postcards were distributed to Brooklyn implants in areas of devastating gentrification and subway cars that traveled through them. A Brooklyn native can tell one from the rest.

The Genital Nubs

125 x 15 x 10cm soy wax, string

2018

The malleable characteristics of wax assist the concept of sexual fluidity, apparent in forms of banded erectile tissue, while strings suspend them as mobile individuals. Exploring the differences and sameness in sexual organs and by extension sexuality and gender/preferences.

The Genital Nubs

125 x 15 x 10cm soy wax, string

2018

Vanity Surveillance Project (detail)

black glass, surveillance camera, television

2018

As one walks through the gallery space, they would catch their own reflection in the dark glass. This is a commentary on the superficiality of the art world. We tend to look at our own reflection in museum glass and glazed works instead of the work itself. In this case, you are the work - and on the other side of the wall, another viewer watches a T.V. screen showing you watching yourself in the black glass.

Vanity Surveillance Project (detail)

black glass, surveillance camera, television

2018

Vanity Surveillance Project (detail)

black glass, surveillance camera, television

2018

Vanity Surveillance Project (detail)

black glass, surveillance camera, television

2018

Withdrawal

soy wax

26 x 23 x 9cm

2018

Our cell phones have become a part of our bodies. When it isn’t in its designated pocket or our hands, it feels like a void within us. The dependency humans are facing with technology and constant communication is an addiction we should all be aware of. How is this affecting our memory, intelligence, relationships?

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